THE HISTORY AND TUTORIAL OF AUTHENTIC 1940S MAKEUP

1940s makeup is one of the most “vintage” looks, and is rather simple to recreate. There was a push for all things natural, unlike the 1930s and 1950s, which favored reshaping eyebrows and contouring the face. 1940s makeup enhanced natural beauty with just a few tools.

During the war, European women dealt with huge cosmetics shortages, since petroleum and alcohol – some of the main ingredients in makeup at the time – were used for the war effort. When makeup ran out, women turned to home remedies to substitute, such as using beetroot juice to stain lips and petroleum jelly to darken lashes and shape eyebrows.

In the United States, cosmetics continued to be manufactured throughout the war and were seen by the government as a morale booster for the busy women on the home front. Women were encouraged to wear makeup all the time to hide sadness and attract men, even while at work. Athletes even wore makeup. Color films had a big impact on the market, as women could now imitate the shades worn by Hollywood starlets. By 1948, between 80 and 90 percent of women wore lipstick, two thirds wore rouge, and a quarter wore eye makeup.

The 1940s makeup look exudes classic sophistication and is surprisingly easy to recreate. The emphasis was on a flawless, fresh-faced appearance—natural, never overly done. Less was definitely more, which worked out well, especially during the war years when many women had to make do with fewer products and resources.

Although the final result seems simple, a woman’s 1940s makeup routine could take some time—quick five-minute makeup wasn’t a thing! The process began with applying and blending thick foundation. Women were encouraged to shape their face with both light and dark shades of foundation—darker tones could be used to contour areas like a large nose, broad forehead, or square jaw, while lighter shades on the cheeks would add a fuller, plumper appearance.

Next, eye shadow was applied, followed by moist rouge. This was often used not only for color but also for subtle shaping, always ensuring the look remained natural. Afterward, a generous application of powder was pressed into the face with a large velour or wool puff. The powder was applied heavily to ensure a matte finish, covering the entire face. Excess powder was then brushed away with a powder brush to reveal a smooth, polished look.

If the moist rouge needed extra reinforcement, a powdered version was applied on top of the powder. The final steps included defining the eyebrows with an eyebrow pencil, applying mascara for fuller lashes, and finishing with the signature bold lipstick.

What You’ll Need:

  • Foundation: Choose a shade that closely matches your skin tone.
  • Powder: Loose powder that matches your skin tone to set the foundation.
  • Cream Rouge: Go for a rose-pink cream rouge (avoid powder if possible, unless that’s all you have).
  • Eyebrow Pencil: Choose a pencil that matches your natural brow color, or one shade darker than your hair.
  • Eye Shadow: (Optional, for evening wear) Use matte shadows that match your eye color—avoid shimmer.
  • Mascara: Dark brown or black mascara, or you can even use petroleum jelly (like Vaseline) for a more subtle lash effect.
  • Lipstick: A classic, matte red lipstick for that bold, vintage look.

1940s Foundation and Powder

Foundations in the 1940s were quite different from today’s lightweight options. There were fewer shades available, and most foundations had a pinkish tint, which worked well for white women, but wasn’t always suitable for women of color. Many Black women, for instance, either mixed their own makeup or often went without powder.

Foundations during this time were much thicker and creamier compared to today’s formulations. Liquid foundations as we know them didn’t exist, and the creamier formulas helped provide a fuller coverage. Face powder, which was essential, was used to set the foundation and keep the face matte throughout the day. It matched the skin tone but was also used to help the foundation adhere better to the face—foundation alone would often cause powder to slip off.

The foundation and powder were extended down the neck and onto the blouse or dress line, as it was common for the foundation shade to not perfectly match the skin on the rest of the body. This helped create a seamless, blended look.

Tip: For a smooth application, lightly coat your face with baby oil (or mineral oil) before applying foundation. This helps create a smooth base and allows the foundation to blend more easily.

1940S FACE POWDER

Powders should match your natural skin tone as much as possible. Light shades kept a woman looking fresh and youthful, while a slightly bronzed shade added a sun kissed glow, popular with movie stars. Almost all makeup lines carried a sun kissed color or two.

If you are over 40, your skin is prone to yellowing, in which case a powder with a pink tinge will work better for you.  To apply, use a puff to dust your face all over and then brush from the neck up to the forehead. Only brush down once to finish and smooth out face fuzz.

Tip: A fluffy face puff makes a difference. Don’t use compressed powder with a flat pad for early 1940s looks. Pan-cake compressed makeup came out in the mid 1940s with big success. To women who could afford it, it provided more coverage applied in less time. Just remember to always brush up, never down.

1940s Blush

In the 1940s, blush (referred to as rouge) was applied sparingly to create a natural, rosy glow. The shades of rouge were limited, typically ranging from peach and coral to raspberry tones, with darker shades for those with bronze or deeper skin tones. Cream rouge (moist rouge) was the preferred choice, giving a more natural look, and was often blended directly into the foundation. Powdered rouges were also used lightly over the cheeks to give a soft flush.

Although rouge was an important part of the look, it wasn’t strictly necessary for achieving the 1940s style. You could still achieve the desired effect without it.

Tip: If you can’t find cream rouge, a light matte lipstick in a pink or peach shade works well. Simply apply it with your fingers, dab it on the cheeks, and blend it in until it seamlessly matches your skin tone.

Cream or liquid rouges were sometimes found in theatrical costume makeup stores and, in modern times, can be found in some makeup brands on platforms like Amazon.

1940s Eyebrows

The 1940s eyebrows were a continuation of the 1930s style, with thin, beautifully arched brows being the key feature. Eyebrows were kept natural-looking, with only stray hairs removed to maintain a soft, even arch. The arch itself was well-groomed but not overly thin—most women didn’t over-pluck.

Eyebrows were often defined with a pencil that was slightly darker than the hair color, or some women simply applied a bit of petroleum jelly to keep the brows in place and enhance their natural shape. For daywear, this softer look was more common, while in the evening, brows might be more defined.

As the decade progressed, the full, more defined brows of the late ’40s began to take hold, but they were never as thick as modern-day brows.

1940s Eye Makeup

Eye makeup in the 1940s was quite minimal, especially during the daytime. Most women wore just a light coat of mascara, often in dark brown or black. Some even used petroleum jelly (Vaseline) to achieve a subtle lash definition. Mascara came in different forms—liquid, paste, or cake—often built up by adding a little water or spit to the cake to get the desired consistency. Mascara was applied to both the upper and lower lashes for a fuller look.

For evening looks, eye shadow could be used, but only in neutral tones. The colors were typically chosen to match the eye color—blue-grey for blue eyes, grey for green eyes, and brown for brown or hazel eyes. The eyeshadow was applied in a single color, blended from the lash line up to the brow for an elegant and simple look. No smoky eyes or contouring here—just one shade blended well. For evening looks, sometimes silver or gold was added to create a little extra glamour.

Eyeliner wasn’t commonly used in the early 1940s; it was considered too harsh and “fake-looking.” It didn’t make an appearance until the late ’40s, and even then, it was applied only to the top lash line.

1940s Lipstick

Lips were the focal point of 1940s makeup, especially during the war years, when red lipstick was seen as a mood booster. Lipstick shades varied from bluish reds to orange-toned reds, but they were all red! Bright pinks weren’t worn until the 1950s, so reds were a constant. In the fall, red lipstick tended to get darker, and in the spring, it lightened up a bit.

Most lipsticks of the time were matte, and women were advised to moisturize their lips before applying. After applying lipstick, they would often blot their lips with a tissue to ensure the color stayed put. By 1948, lipstick pencils were introduced, allowing for a more precise application and a perfect outline around the lips.

The ideal lip shape was full and even, with a smooth contour on the top and bottom lips. The “Hunter’s Bow” lip shape, popularized by Joan Crawford, involved slightly over-drawing the lips to make them appear plumper. However, actresses like Lauren Bacall and Ingrid Bergman embraced their naturally thin lips and didn’t over-draw them.

Tip: To achieve a perfectly shaped lip, start with the cupid’s bow and draw the pencil out to the corners of the mouth. Fill in with lipstick and gently rub your lips together to ensure an even finish. Touch up any uneven spots on the bottom lip.

1940s Fingernail Polish

In the 1940s, nails were always neatly trimmed, often filed into a long oval shape. During wartime, nails were kept a bit shorter for safety, but they were still manicured regularly. Cuticles were carefully trimmed and moisturized for a polished look.

Nail polish in the ’40s was almost always red, and matching your nails to your lipstick was the norm. Other shades like pink, coral, rose, and burgundy were also popular. A clear topcoat was always used for durability, and some women embraced the “half-moon” style, where the base of the nail (around the cuticle) was left unpainted.

Tip: To create a half-moon shape on your nails, apply paper reinforcements to the base of each nail, aligning the top of the hole with the cuticle. Paint your nails, then remove the reinforcements before the polish fully dries for a neat, vintage look.

1940s Makeup Products to Buy Today

To create an authentic 1940s look today, you don’t need a complicated routine. A bit of face powder, black mascara, well-defined brows, and red lipstick will give you that classic, vintage style. Modern makeup tends to have more shine and glitter, but for a true 1940s look, opt for matte products—especially for your lips, cheeks, and eyes.

Tip: Many modern makeup lines offer matte formulas, but brands like Revlon and Max Factor (which were popular in the 1940s) still offer products that capture that vintage style. Besame is another brand that specializes in recreating vintage makeup colors and formulas from the ’40s.

For a more subtle daytime look, keep your makeup light—just a dusting of powder, a touch of blush, and a swipe of mascara. For a more dramatic evening or pinup style, go heavier on the lipstick and mascara, and use a little more rouge for that retro glam.

WILD FLOWERS TOTE BAG TUTORIAL 

Are you looking for a fun and eco-friendly way to add a touch of nature to your wardrobe? Look no further than this wildflowers tote bag tutorial! In this guide, we’ll show you how to create a beautiful and durable tote bag adorned with vibrant wildflowers. Whether you’re a seasoned crafter or just starting out, this project is perfect for all skill levels. We’ll provide clear instructions and helpful tips along the way. So, let’s gather your supplies and get started on your wildflower tote bag adventure!

SUPPLIES NEEDED

  • Wild Flowers Fabrics 
  • 2 Stash Starters (1 yd.)

OTHER SUPPLIES

  • 3 yds. nylon webbing for straps (1 inch width)
  • 5/8 yd. Pellon® 987F Fusible Fleece
  • 1 yd. Pellon® SF101 Shape Flex Fusible Interfacing
  • Coordinating thread
  • Removable marker (for marking on printed fabric)
  • Snap (optional)
  • Basic sewing supplies
  • Rotary cutter, mat, and acrylic ruler
  • Sewing machine and iron
  • Even-feed foot (optional)
  • 5 in x 13 in firm cardboard or plastic canvas (optional)

STEP-BY-STEP GUIDE

CUTTING

Fabric A: 1 – 20″ x 32″ (bag)
                1 – 19″ x 31″ (lining)
Fabric B: 1 – 16″ x 21″ (outside pockets)
                2 – 12 ½” x 10″ (inside pockets)
Fusible Fleece:  20″ x 32″
Fusible Interfacing:  19″ x 31″

QUIlTING

  • Following the manufacturer’s instructions, apply the fusible fleece to the wrong side of the bag fabric and the fusible interfacing to the wrong side of the lining fabric.
  • Using a removable marker, mark diagonal quilting lines on the right side of the bag, spaced 3 inches apart in both directions. Quilt along these lines using either a serpentine stitch or a straight stitch (refer to Diagram A). If needed, use the even-feed foot for better fabric handling.
  • Trim the bag to match the dimensions of the lining piece. Remove any markings from the bag. Mark the crosswise and widthwise centers of both the bag and the lining with a marker or by using thread basting (see Diagram A). Set the lining aside until you reach Step 11.

MAKING THE BAG

  • Fold the outside pocket in half, aligning the long edges. Sew around the outside edges, leaving a 4-inch opening for turning (refer to Diagram B). Clip the corners diagonally and turn the pocket right side out. Press it well, then topstitch along the short ends. Fold the pocket into quarters and press firmly to create placement folds.
  • Position the pocket on the bag, aligning it with the center markings. Baste along the long edges to secure it in place (see Diagram C).
  • Before attaching the webbing, seal the ends using a match or other heat source to prevent fraying. Then, fold the webbing in half and mark the center with a pin.

  • With one end positioned at the center of the bag, lay the webbing along one side of the pocket, centering it over the long edges of the pocket (refer to Diagram D). Place the center pin in the webbing at the opposite side of the pocket, aligning it with the center fold. Pin the webbing evenly in place over the sides of the pocket.
  • Ensure the ends of the webbing are abutted together and pin or baste them securely.
  • Note: Be careful to avoid twisting the webbing while pinning it in place. Topstitch along the edges of the webbing, stopping ½ inch from the top edges of the bag. Remove any thread basting used.
  • Fold the bag in half with the right sides together and pin the sides. Sew the side seams and finger press the seams open.
  • To box the bottom, bring the center bottom crease to the side seam (right sides together). Mark 2 ½ inches from the point and stitch from edge to edge (see Diagram E). Repeat this step for the other side.
  • Turn the bag right side out and press along the top, bottom, and side edges. IMPORTANT: Avoid touching the webbing with the hot iron!
  • Pin the bag layers together and edge stitch along the bottom and sides of the bag to provide shaping (refer to Diagram F).

    Note: The stitching at the bottom edge will help prevent items in the outside pocket from slipping into the bottom of the bag.

    MAKING THE LINING

    • Fold the inside pockets in half, matching the right sides of the long edges, and pin them in place. Sew around the edges, leaving a 3-inch opening on one long side. Clip the corners diagonally and turn the pockets right side out. Press them flat, then topstitch along the folded edges.
    • Center the pockets on the short ends of the lining, positioning them 4 inches from the short edges (refer to Diagram G). Sew them in place by stitching around the sides and bottom. If desired, stitch through the pockets to divide them into smaller sections.
    • Pin and sew the side seams of the lining, leaving a 5-inch opening on one side for turning. Box the corners by following the instructions from Step 9 above.

    FINISHING THE BAG

    • Pin the straps away from the top edge of the bag. Place the bag inside the lining, aligning the side seams and top edges. Pin in place and sew along the top edge.
    • Turn the bag right side out through the opening in the lining and sew the opening closed. Push the lining into the bag and press the top edge.
    • Unpin the straps and edge stitch around the top of the bag, ensuring to catch the straps in the stitching.
    • If desired, sew a snap closure inside the bag at the top edge.
    • Optional: Use any remaining fabric to create a cover for the cardboard or plastic canvas, then place it in the bottom of the bag.